基于设计符号学的青神竹编艺术的景观廊架设计  

Landscape Gallery Design of Qingshen Bamboo Weaving Art Based on Design Semiotics

作　　者：李雅欣 李瑞雪[1,2] LI Yaxin;LI Ruixue(Hunan University of Science and Technology,Xiangtan,Hunan,411100;Hunan Tricholoma Agricultural Development Co.,Ltd,Xiangtan,Hunan,411100)

机构地区：[1]湖南科技大学,湖南湘潭411100 [2]湖南蘑蘑哒农业开发有限公司,湖南湘潭411100

出　　处：《湖南包装》2023年第5期60-63,共4页

基　　金：湖南省自然科学基金省市联合项目(2021JJ50119,2020JJ6025);湖南省社会科学成果评审委员会项目(XSP22YBZ073);湖南省企业科技特派员项目(2021GK5036)。

摘　　要：深入挖掘四川青神竹编的艺术特色,并将青神竹编元素运用到现代景观廊架设计中。运用符号学的理论对四川青神竹编材质、色彩、造型、编织方法4个维度进行解析,提取四川青神竹编特有的艺术特色,采取设计事理学的研究方法,以“事”作为思考和研究的起点。通过设计符号学对四川青神竹编详细梳理,最后设计出具有青神竹编特色的景观廊架,进而促进四川青神竹编艺术的保护与传承。Deeply explore the artistic characteristics of Qingshen bamboo weaving in Sichuan,and apply Qingshen bamboo weaving elements to the design of modern landscape corridors.Using the theory of semiotics to analyze the four dimensions of Sichuan Qingshen bamboo weaving:material,color,shape,and weaving method,extract the unique artistic characteristics of Sichuan Qingshen bamboo weaving,adopt the research method of design affairs,and use"things"as the thinking and starting point for research.Through design semiotics,the Qingshen bamboo weaving in Sichuan was sorted out in detail,and finally a landscape corridor with the characteristics of Qingshen bamboo weaving was designed,thereby promoting the protection and inheritance of Qingshen bamboo weaving art in Sichuan.

关 键 词：青神竹编 景观廊架 设计符号学 

分 类 号：J528.5[艺术—艺术设计] TU986[建筑科学—城市规划与设计]