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作 者:安然[1] AN Ran(School of Literature,Henan University,Kaifeng 475000)
出 处:《阴山学刊》2023年第5期30-36,共7页Yinshan Academic Journal
基 金:国家社会科学基金一般项目“元代文士活动编年史”(19BZW082)。
摘 要:作为元代诗坛巨擘,赵孟頫诗歌创作冠绝时流,开创了有元一代“宗唐得古”的复古诗风,推动元代南北诗坛加速融合,可谓成就斐然。赵孟頫饱谙经史,因此所作诗歌多用典故。赵诗所用典故来源丰富,语典主要来自前代诗文名句及儒道典籍,而事典则以史部文献与笔记小说为主。其诗歌用典数量繁密,形式严整。这些特征能够鲜明地反映出赵孟頫深厚的文学功底与其“宗法晋唐,循迹经史”的用典倾向,而这种倾向亦逐渐影响了元代诗歌的整体创作面貌。As a poetic giant in Yuan Dynasty,Zhao Mengfu was a pioneer of poetic creation.His poetic creation was unprecedented,creating a retro poetic style in Yuan Dynasty,and promoting the integration of northern and southern poetic circles in Yuan Dynasty.Zhao Mengfu was knowledgeable,and he used allusions in his poems.There are abundant sources of allusions in Zhao’s poems.The language allusions are mainly from the famous sentences in Jin and Tang dynasties,while the event allusions are mainly from Confucian classics and historical documents.The number of allusions in his poetry is dense and the form is strict.These characteristics can clearly reflect Zhao Mengfu’s deep knowledge of literature and his tendency in using the allusions,and this tendency has gradually affected the overall creation of poetry in Yuan Dynasty.
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