张九成之诗学体系及其儒学支撑  

Zhang Jiucheng’s Poetic Theory and Its Confucian Underpinning

作　　者：左志南 ZUO Zhi-nan(College of Chinese language and literature,Southwest Minzu University,Chengdu 610200,China)

机构地区：[1]西南民族大学中国语言文学学院,四川成都610200

出　　处：《宁波大学学报（人文科学版）》2023年第6期51-60,共10页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社科基金西部项目“两宋之交理学嬗变与诗文流变的双向考察”(17XZW027)。

摘　　要：张九成诗学思想具有一以贯之的体系性,张九成强烈的儒学本位立场使其提出了准则《诗经》的主张,强调创作主体应于吟咏性情之正的同时呈现出“三百篇风致”,而张九成反对新学的立场与长期被贬的经历,则使其作品体现了近宗东坡的取向。张九成的儒学修养则使其将性情之正界定为主体悟得儒学至理之后的外在表现。张九成认为文道相长,读书治学与会得“至理”、从容中道具有相互促进的作用。由此,张九成提出了“文以宣之,诗以咏之”的创作论,即以自然抒怀的方式表现主体明了儒者之道而实现性情之正的精神气象。Zhang Jiucheng’s poetics is systemic in a consistent way.His strong Confucian standard position made him put forward the idea of taking Book of Songs as the aesthetic standard,emphasizing that the author should present the aesthetic characteristics of Book of Songs in the middle of chanting temperament.His position against Wang Anshi’s New Law and his long experience of being demoted reflect his orientation of learning from Su Shi.Zhang Jiucheng’s poetry theory and Confucianism factors,and his Confucianism cultivation make him define the correctness of temperament as the external performance of the subject after he understands the Confucian philosophy.At the same time,Zhang Jiucheng believes that literary creation and Confucianism cultivation are mutually promoted.As a result,Zhang Jiucheng put forward the creation theory of“literature to publicize,poetry to chant”which is to express the spirit of the subject to understand the Confucianism and to realize the right temperament.

关 键 词：张九成 儒学 诗学 

分 类 号：I207.2[文学—中国文学]