“镜像”式他者与“侵凌”式反抗——加缪剧作中的悲剧人物研究  

The “Mirrored” Other and the Revolt from the Bullied:A Study of Tragic Characters in Camus' Plays

作　　者：文成君 姚琨 Wen Chengjun;Yao Kun(Department of Theatre Studies,the Central Academy of Drama,Beijing 100009,China;Department of Theatre Literature,Shanghai Theatre Academy,Shanghai 200040,China)

机构地区：[1]中央戏剧学院戏剧学系 [2]上海戏剧学院戏剧文学系

出　　处：《外国语文研究》2023年第5期39-48,共10页Foreign Language and Literature Research

摘　　要：随着存在主义哲学的引介到中国,国内对加缪剧作的研究也逐步深入。在对其剧作中人物和意象的研究中,“反抗荒诞”一直是重要落脚点。评者们由“反抗荒诞”引申到作者的哲学思想,这在学界已相当普泛,但“反抗”的基础和方式有待深掘。“反抗荒诞”在其戏剧情境中是通过主角与“镜像”式他者的交互而生成、发展的,“反抗”的方式常体现为对“镜像”式他者的“侵凌”,这类颇具特色的“镜像感”人物关系一直鲜为人道。借助拉康的精神分析理论,探究戏剧文本中主角与“镜像”式他者的交汇与交锋,可深入探究加缪悲剧主角的人格建构过程。而“镜像感”不止体现在文本内部的各角色之间,还存在于文本的创造者和文本塑造的形象之间,甚至作者与同时代风格相近的其他作家也形成了“镜像”感。探索“镜像”感的表现、由来、发展及意义,则提供了另一条领略加缪深邃的艺术世界的幽径。With the introduction to existentialist philosophy in China,the study of Camus' plays in China has gradually deepened.In the study of the characters and imagery in his plays,“resisting absurdity” has always been an important starting point.Critics have extended the concept of “resisting absurdity” to the author's philosophical thinking,which has become common in the academic world.However,the basis and method of “resistance” need to be explored in depth.“Resisting absurdity” is generated and developed through the interaction between the protagonist and the “mirrored” other in the dramatic situation;the way of “resisting absurdity” is often manifested as a reaction against the “mirrored” other.Few scholars are aware of the mirroring relationship between the characters.By probing into the intersection and confrontation between the protagonist and the “mirrored” other in the dramatic text based on Lacan's psychoanalytic theory,the personality construction process of Camus' protagonist in the tragedy can be thoroughly explored.The “mirroring image” is not only reflected in the text between the characters,but also between the playwright of the text and the image portrayed in the text,and it is even formed between the playwright and his stylistically similar contemporaries.Exploring the manifestation,origin,development and significance of the sense of “mirroring” provides another path to appreciate the depth of Camus' artistic world.

关 键 词：加缪 反抗荒诞 人物设置 镜像感 

分 类 号：I565.073[文学—其他各国文学]