“现代”与“史诗”的对话——论阿来《格萨尔王》的双线叙事  

The Dialogue Between“Modernity”and“Epic”--On the Bilinear Narration of King Gesar by Alai

作　　者：贺熠 He Yi(Yili Normal University,Yining,Xinjiang 839300,China)

机构地区：[1]伊犁师范大学,新疆伊宁839300

出　　处：《四川民族学院学报》2023年第4期103-108,共6页Journal of Sichuan Minzu College

基　　金：2021年度自治区高校科研计划项目“新疆当代多民族文学中的中华民族共同体意识书写研究”(XJEDU2021SY043)。

摘　　要：英雄史诗《格萨尔》是世界最长的“活”史诗,它既是藏文化杰出成就的代表,也是中华民族灿烂文明的重要组成部分。在“重述神话”项目的邀约下,阿来以重塑神话精神为己任,融入现代性思想,对英雄史诗《格萨尔》进行改写,以此创作出长篇小说《格萨尔王》。小说通过双线叙事将藏族传统文化与现实进行了融合,以包容对等的姿态构建起过去与当下、神话与现实、传统与现代等话语之间的对话关系,呈现出阿来对于民族文化和现代文明的双重思考。The heroic epic Gesar was born from various folk cultures such as mythology,legends,poetry,and proverbs.It is not only a representative of the outstanding achievements of Tibetan culture,but also an important component of the brilliant civilization of the Chinese nation.Under the invitation of the“Retelling Mythology”project,Alai took reshaping the spirit of mythology as his own responsibility,incorporating modern ideas,and rewriting the heroic epic Gesar to create the novel King Gesar.The novel integrates traditional Tibetan culture with reality through a dual line narrative,constructing a dialogue relationship between the past and present,myth and reality,tradition and modernity in an inclusive and equal manner,which demonstrates Alai's dual thinking on national culture and modern civilization.

关 键 词：格萨尔王 双线叙事 重述神话 文化传承 现代性 

分 类 号：I207.42[文学—中国文学]