学术性质的继承与创新——记广东漆艺家程智的多向探索  

Inheritance and Innovation of Academic Nature:A Multidirectional Exploration of Guangdong Lacquer Artist Cheng Zhi

作　　者：长北[1] CHANG Bei

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《中国生漆》2023年第3期55-57,共3页Journal of Chinese Lacquer

摘　　要：本文介绍了广州程智复制法门寺地宫文物“髹漆银釦金银平脱黄釉秘色瓷碗”、出版《广东髹漆简史》、仿制伦敦维多利亚与艾尔伯特博物馆藏品——广州制“皮胎描金纹章剃须漆碗”以及一边创作漆画、一边进行学术研究的全面造诣,认为当下,这样以实践为主干兼做史论的人才太少太少,这样不断探求、学术性质的继承与创新太少太少。望中国漆艺界多一些像程智这样不谋出镜切实做事的多向探索者。This article introduces the“yellow glaze secret colored porcelain bowl brush painting with gold and silver ornament”which founded at underground palace in Famen Temple reduplicated by Guangdong artist Cheng Zhi,who also published“A Brief History of Guangdong Brush Painting”and the make the copy of the collection of the Victoria and Albert Museum in London—the“leather tire painted gold medal shaving paint bowl”made in Guangzhou.The article takes artist Cheng zhi as an example for being an artist who does both practical creation and academic research.It also takes the point that there are too few talents like Cheng zhi who focus on practice and historical theory,continuous exploration,academic inheritance and innovation currently.It hopes there are more multi-directional explorers like Cheng Zhi in the Chinese lacquer art industry who do not plan to show on camera but can work effectively.

关 键 词：广州程智 髹漆银釦金银平脱黄釉秘色瓷碗 《广东髹漆简史》 皮胎描金纹章剃须漆碗 继承与创新 

分 类 号：J527[艺术—艺术设计]