杨慎“诗非史”观与中国古代诗歌阐释传统--以《升庵诗话》为中心  

Yang Shen’s View of“Poetry Is Not History”and Interpretation of Tradition by Chinese Ancient Poetry--Study on Poetry of Yang Sheng

作　　者：李琼玉 LI Qiong-yu(School of Chinese Language and Literature,Jiangsu Normal University,Xuzhou 221116,China)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《湖北工业职业技术学院学报》2023年第5期69-73,共5页Journal of Hubei Industrial Polytechnic

摘　　要：杨慎历来被认为是明代“诗非史”观的重镇,实际上,他反对的是宋以来根据杜诗开创的愈演愈误的小传统。在辨明“诗”“史”二体的基础上,他提出了含蓄蕴藉的诗歌叙事标准,将其融通于诗歌缘情的本质。同时,他又秉持辩证复古的观念、字有来处的知识主义、文献考据的史证意识,最终回到了中国古代诗歌阐释的“诗史”大传统。Yang Shen has always been regarded as an important role of the view of“poetry is not history”in Ming Dynasty.In fact,what he opposes is the tradition that has become increasingly wrong since Song Dynasty based on Du Fu’s poetry.On the basis of distinguishing between“poetry”and“history”,he puts forward the implicit poetic narrative standard and integrated it into the essence of poetic expression of emotion.At the same time,he adhered to the dialectical concept of returning to ancient times,the epistemology that every word has a source,and the historical consciousness of examining texts,ultimately returning to the tradition of"poetic history"in the interpretation of ancient Chinese poetry.

关 键 词：明代 诗非史 升庵诗话 诗歌阐释 

分 类 号：I206.09[文学—中国文学]