解构、颠覆与隐喻:探究国产动漫IP《中国奇谭》的后现代表达  

Deconstruction,Subversion,and Metaphor:Study on Postmodern Expression of Domestic Animation IP“Yao-Chinese Folktales”

作　　者：吴晨玥 WU Chen-yue(Jilin Academy of Social Science,Changchun130033,China)

机构地区：[1]吉林省社会科学院,吉林长春130033

出　　处：《湖北工业职业技术学院学报》2023年第5期81-84,共4页Journal of Hubei Industrial Polytechnic

摘　　要：《中国奇谭》扎根于拥有丰富底蕴的中国传统文化,通过浓郁的民族风格和精湛的艺术表现,展现社会现实和人间百态,带来新奇的审美体验。《中国奇谭》在内容创作上解构了广义的民族文本,塑造反传统的角色形象扩展叙事空间、使叙事维度更加多元、丰富,并借助隐喻式的表现方法,引发受众思考和情感共鸣,使传统故事呈现寓言化风格,实现后现代主义在中华传统文化空间的深层表达。Animation Yao-Chinese Folktales is rooted in the traditional Chinese culture,showing social reality and human life through the ethnic style and artistic expression,which brings aesthetic experiences.It deconstructs the ethnic text in terms of content creation,shaping anti-traditional characters to expand the narrative space,making narrative dimensions richer and more different,and and with the help of metaphorical methods of expression,arouses the audience's thinking and emotional resonance,makes the traditional stories show allegoric style,and realizes the deep expression of postmodernism in the space of Chinese traditional culture.

关 键 词：国产动漫IP 中国奇谭 后现代主义 去英雄化 寓言 

分 类 号：J905[艺术—电影电视艺术]