当代艺术创作的社会学转向  

The Sociological Turn of the Contemporary Art Creation

作　　者：卢文超[1] LU Wenchao

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《学术月刊》2023年第10期117-124,共8页Academic Monthly

基　　金：国家社会科学基金艺术学一般项目“当代国外艺术社会学文献整理与研究”(22BA019);国家社会科学基金艺术学重大项目“中国式现代化背景下艺术理论发展研究”(22ZD04)的阶段性成果。

摘　　要：当代艺术创作越来越强调对社会的介入,其采用社会学方法探究社会学问题,呈现出明显的社会学转向。在此过程中,艺术家成为社会塑造者,变得越来越像社会学家;他们的作品形态转变成以项目和计划为主;他们依据田野调查的方法进行创作。尽管当代艺术创作的社会学转向明显,但艺术家的独特地位却无法被社会学家所取代,因为他们致力于探索观念与形式之间的契合。这给我们带来启示:艺术家可以广泛汲取社会学的观念资源,将此与自身对形式的精深把握相结合进行创作。The creation of contemporary art is increasingly emphasizing the intervention in society.It uses sociological methods to explore sociological problems,showing a clear sociological turn.In the process,the artist became a social creator and became more and more like sociologists;their work was based on projects and plans;they created their work according to the method of fieldwork.Although the sociological turn of contemporary art's creation has become obvious,the unique status of artists cannot be replaced by sociologists,because they are committed to exploring the fit between ideas and forms.This reveals that artists can widely learn the sociological ideas,and combine this with their profound grasp of the forms to create their work.

关 键 词：当代艺术 社会学转向 观念形式 

分 类 号：C91[经济管理]