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作 者:茶志高[1] 许珊珊 CHA Zhigao;XU Shanshan(College of Ethnic Cultures,Yunnan Minzu University,Kunming,Yunnan Province 650500)
机构地区:[1]云南民族大学民族文化学院,云南昆明650500
出 处:《楚雄师范学院学报》2023年第5期79-85,共7页Journal of Chuxiong Normal University
基 金:国家社会科学基金项目“滇黔古代少数民族汉语诗文书写的中华认同研究”(22BZW190);云南民族大学2021年校级教学改革研究项目“‘中国古典文献学’的实践教学与云南地方文学实证研究”(2021JG-003)。
摘 要:杨慎在滇吟咏名物诗篇至多,《垂柳篇》为其尤者,论者认为《垂柳篇》是杨慎的“自悼之作”“自怀之词”“自为写照”。因杨慎个人遭际加之《垂柳篇》托情于物的自怀,引发不少明清至滇文人的共感和本土文人的共情,深受当世和后世文人喜爱而被题于驿馆屋壁,刻石于署衙、楼阁。《垂柳篇》之后产生的相关作家的感发之作,诗作主题表现岁月变迁之感、优游风采之赏、杨慎遭际之叹及自身境遇之照。原作的流传和后世作家的相关作品促进了《垂柳篇》的经典化进程,显示出“垂柳”旺盛的生命力,它已然成为一棵不朽之树。Yang Shen wrote many poems on a variety of subjects in Yunnan,Weeping Willow being one of them,a poem believed by the critics to be of self-mourning,self-thinking and self-portraying senti‐ments.Due to Yang’s suffering and the self-thinking theme in Weeping Willow,the poem is deeply loved by generations of empathic literati,both natives and those from the heartland,and was even inscribed in the walls and stones in their houses,hotels and building facades.Later poets inspired by Yang Shen also write on similar themes,such as touchiness of changing times,praise of natural beauty,empathy for Yang’s hardship,and distress over their own predicament.Yang’s original work and those inspired by him thus elevated Weeping Willow to classic cannon by showing its lasting vitality.
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