清代节孝文化景观的历史制作——围绕江南史相关研究的评论  

The Historical Production of the Cultural Landscape of Filial Piety in the Qing Dynasty

作　　者：张佩国 Zhang Peiguo(Department of History,Shanghai Jiao Tong University,Shanghai 200240)

机构地区：[1]上海交通大学人文学院历史系,上海200240

出　　处：《浙江社会科学》2023年第11期140-146,160,共8页Zhejiang Social Sciences

摘　　要：清代节孝祠、清节堂、贞节牌坊、孝女庙等节孝文化设施,不是一个个孤立的建筑,而是地域社会特定文化景观的内在组成部分。在地域社会中,只有将建筑纳入“权力的文化网络”才能产生某种力量,使“地方”变得具有一定的“可见性”,从而形成文化景观。节孝祠、清节堂等文化设施之所以能够成为地方社会的文化景观,亦在于其典礼和仪式的“神圣性存在”,被扩大了的家族观念成为地方修建“节孝”文化景观的观念基础,“节孝”文化成为“孝道”意识形态的集中体现。The filial piety cultural facilities of the Qing Dynasty,such as the filial piety temple,the Qing Jie Tang,the chastity memorial archway are not isolated buildings,but the internal components of the specific cultural landscape of the regional society.In regional society,why the places had a certain degree of visibility is that only incorporating architecture into the cultural network of power can generate certain forces and formcultural landscapes.Cultural facilities such as the filial piety temple can become the cultural landscape of the local society,which also lies in the sacred existence of its ceremonies and rite.The expanded family concept has become the conceptual basis of the local filial piety cultural landscape such as the filial piety temple,the chastity memorial archway.The filial piety culture has become the concentrated embodiment of the filial piety ideology.

关 键 词：节孝文化 节妇 节孝祠 文化景观 

分 类 号：K249[历史地理—历史学] D691[历史地理—中国史]