从保管到创造:由Curator词义的演变论其内涵和角色  

From Custodianship to Creation:A Study on the Connotation and Role of Curator through Its Semantic Evolution

作　　者：唐可星 Tang Kexing

机构地区：[1]浙江大学考古与文博系,浙江杭州310028

出　　处：《文博学刊》2023年第3期62-68,共7页Journal of Archaeology and Museology

摘　　要：近年来,虽然Curator与“策展人”之间的错位已得到纠正,但国内对前者的内涵和角色的认识仍旧处于模糊状态。解决该问题,除了要从Curator工作内容着手,还需要从词义的演变进行探索。Curator的词源包含保管和创造的双重内涵,并发展出征集、保护、研究、展示及传播等多种角色,进而在职业化过程中逐渐形成核心角色。20世纪中叶,Curator的词义再一次转变,拓展至展览策划者乃至抽象的思维组织者的角色。Recently,although the dislocation between the curator and the"Ce Zhan Ren"(exhibition planner)has been corrected,the understanding of the connotation and role of the former is still in a state of ambiguity in Chinese academic circles.To address this issue,it is necessary to analyze the job responsibility and the semantic evolution of the term"curator".The etymology of the term"curator"carries dual connotations of custodian and creator,and has developed various roles such as acquisition,preservation,research,display and dissemination,gradually forming a core role in the process of professionalization.In the mid-20th century,the meaning of curator underwent further transformation,expanding its role to include exhibition planning and even thinking organization.

关 键 词：Curator词义演变 博物馆“策展人” Curator职位 

分 类 号：G269[历史地理—考古学及博物馆学]