春秋时期政治生态变迁与讽谏诗歌艺术演化论  

The Changes of Political Ecology and the Art Evolution of Satirical Admonition Poems in the Spring and Autumn Period

作　　者：邵炳军[1] Shao Bingjun

机构地区：[1]上海大学诗礼文化研究院,上海200444

出　　处：《中州学刊》2023年第11期146-153,共8页Academic Journal of Zhongzhou

基　　金：国家社会科学基金重大项目“《诗经》与礼制研究”(16ZDA172)。

摘　　要：春秋时期的讽谏诗人在传承西周时期讽谏诗人优秀传统的基础上,在思想内容与艺术形式方面都取得了创造性发展。春秋时期的讽谏诗将政治批判对象直指周王与国君,综合运用“赋”“比”“兴”三体,采用呼告、设问、夸张等多种修辞手法,使用以“美”为“丑”手法和“卒章显志”结构模式。其主要动因是政治生态的变迁、天道观念的嬗变以及诗歌艺术自身的演化。春秋时期讽谏诗歌的艺术演化对后世讽谏诗及其他文学样式的创作与诗学理论的形成产生了深刻影响。On the basis of inheriting the excellent tradition of satirical admonition poets in the Western Zhou Dynasty,the satirical admonition poets in the Spring and Autumn Period made creative development in terms of ideological content and artistic form.The object of political criticism directly referred to the king and the monarch of Zhou Dynasty,“Fu”,“Bi”and“Xing”were used in a comprehensive way,and a variety of rhetorical techniques such as calling,questioning and exaggeration were used in a comprehensive way,with“beauty”as the“ugly”technique,and the structural mode of“clarifying the main idea in the conclusion”.Its main motivation was the change of political ecology,the change of the concept of heaven and the evolution of poetry art itself.The changes of the art evolution of satirical admonition poems in the Spring and Autumn Period had a profound impact on the creation of satirical admonition poems and other literary styles and the formation of poetics theory.

关 键 词：春秋时期 政治生态 讽谏诗歌 艺术演化 

分 类 号：I206[文学—中国文学]