唐至北宋鹦鹉纹艺术特征及其文化内涵探析  

Research on the Artistic Features and Cultural Connotation of Parrot Pattern from Tang Dynasty to Northern Song Dynasty

作　　者：邓莉丽[1] 傅思佳 DENG Lili;FU Sijia(Jiangsu University,212000 Zhenjiang Jiangsu)

机构地区：[1]江苏大学,江苏镇江212000

出　　处：《设计艺术研究》2023年第5期144-150,共7页Design Research

基　　金：国家社会科学基金艺术学项目(19BG116)。

摘　　要：鹦鹉纹是唐至北宋时期流行的禽鸟纹样之一,被广泛地应用于金银器、铜镜、瓷器、纺织品等工艺品上,极具审美价值和文化价值。综合实物及文献等资料,归纳总结这一时期鹦鹉纹在艺术形态及构图形式上的特征,并对其所蕴含的文化内涵进行剖析,从而为古代传统纹样研究及其现代设计应用提供理论参考。Parrot pattern was one of the popular bird patterns from the Tang Dynasty to the Northern Song Dynasty which was widely used in gold and silver ware,bronze mirrors,porcelain,textiles and other handicrafts with great aesthetic value and cultural value.This paper summarizes the characteristics of the art form and composition of parrot pattern in this period,and analyzes the cultural connotation contained in it,so as to provide theoretical support for the study of ancient traditional pattern and its modern design application.

关 键 词：鹦鹉纹 艺术特征 文化内涵 

分 类 号：J5[艺术—艺术设计]