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作 者:许梦娜 Xu Mengna(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)
出 处:《陶瓷》2023年第11期93-94,132,共3页Ceramics
摘 要:笔者通过对陶瓷写意雕塑及作品情感分析,探讨了“写意”这一概念及其所具有的丰富内涵以及个人情感的重要性。在陶瓷写意精神的指导下,雕塑家通过对自然物象的提炼和抽象,以一种主观意念去塑造具有一定个性色彩的形象,以此来传达出艺术家自己的思想感情。陶瓷写意雕塑家将个人的情感、创作理念与创作对象紧密结合,在有限的空间中寻求深刻的情感表达,从而达到超越形式与具象的神韵之境。This paper discusses the concept of"freehand painting",its rich connotation and the importance of personal emotion through the analysis of the ceramic freehand sculpture and the emotion of the works.Under the guidance of the ceramic freehand spirit,sculptors,by refining and abstracting the natural image,create an image with a certain personality color with a subjective idea,in order to convey the artist's own thoughts and feelings.Ceramic freehand sculptors closely combine their personal emotions,creative ideas and creative objects,seeking deep emotional expression in the limited space,so as to reach the realm of verve beyond form and concrete.
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