宋代吉州窑茶盏底足露胎处髤漆的意义探究  

An Exploration into the Significance of the Lacquering on the Exposed Base of Tea Cups from Jizhou Kiln in the Song Dynasty

作　　者：张鑫 Zhang Xin(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2023年第11期139-140,169,共3页Ceramics

摘　　要：宋代社会繁荣、经济发达,斗茶游戏蔚然成风,导致黑釉茶盏盛行。吉州窑作为黑釉釉瓷生产中心之一,在宋代备受追捧。在现存的吉州窑茶盏标本中,有部分茶盏出现底足露胎处有髤漆的现象。笔者从文化背景、工艺机制、功能价值、审美取向等方面入手,分析宋代吉州窑茶盏底足露胎处髤漆的意义。以此,拓宽宋代吉州窑茶盏的研究领域,同时为现代陶瓷产品的设计与创新提供新的思路。In the Song Dynasty,the society was prosperous and the economy developed,and the game of tea fighting became popular.Jizhou Kiln,as one of the production centers of black glaze porcelain,was highly sought after in the Song Dynasty.In the existing samples of Jizhou Kiln tea cups,some tea cups showed the phenomenon of lacquering at the base of the bare embryo.This article will analyze the significance of lacquering where the bottom of the tea cup in Jizhou Kiln in Song Dy-nasty is exposed from the aspects of cultural background,technological mechanism,functional value and aesthetic orientation.In this way,the research field of Jizhou kiln tea cup in Song Dynasty is broadened,and new ideas are provided for the design and innovation of modern ceramic products.

关 键 词：宋代 吉州窑 黑釉茶盏 髤漆 

分 类 号：TQ174.74[化学工程—陶瓷工业]