当代青花瓷画的变革与审美新态研究  

The Transformation and Aesthetic New State of Contemporary Blue and White Porcelain Painting

作　　者：张宝青[1] 郑翔 ZHANG Baoqing;ZHENG Xiang(Jingdezhen Universtity,Jingdezhen 333000,China;Jingdezhen Guanbaoxuan Ceramic Art Co.,Ltd.,Jingdezhen 333000,China)

机构地区：[1]景德镇学院,景德镇333000 [2]景德镇市冠宝轩陶瓷艺术有限公司,景德镇333000

出　　处：《中国陶瓷》2023年第10期124-128,共5页China Ceramics

摘　　要：20世纪80年代中期,受现代艺术潮流的影响,当代青花瓷画艺术崛起。以青花瓷画艺术为研究对象,探讨其变革之路与审美新态。当代青花瓷画艺术以传统民窑青花瓷画为启示而兴起,数十年来不断变革发展。实验性青花瓷画艺术创作者在创作中引入新的技艺手段,形成了水墨、装置和写实三种走向并不断变化发展。In the mid-1980s,contemporary blue and white porcelain painting art rose under the influence of the trend of modern art.This article takes the blue and white porcelain painting art as the research object to explore its transformation path and aesthetic new state.The contemporary blue and white porcelain painting art is inspired by the traditional folk kiln blue and white porcelain painting,and has been undergoing continuous transformation and development for decades.Experimental blue and white porcelain painting art creators have introduced new techniques in their creations,forming three trends:ink,installation,and realism,which are constantly changing and developing.

关 键 词：实验性青花瓷画 变革 审美新态 

分 类 号：J505[艺术—艺术设计]