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作 者:曾令霞 ZENG Lingxia(School of Humanities and Education,Foshan University,Guangdong 528000,China)
机构地区:[1]佛山科学技术学院人文与教育学院,广东佛山528000
出 处:《佛山科学技术学院学报(社会科学版)》2023年第6期13-20,共8页Journal of Foshan University(Social Science Edition)
基 金:教育部人文社会科学研究规划基金项目(21YJA751001)。
摘 要:从“花”“雅”流变、“琼花”的文化位移图景、“琼花”引发的戏曲论争、“琼花会馆”的江南余脉几个方面可以推论佛山粤剧行会“琼花会馆”的昆曲渊源。“琼花”作为昆曲文化的符号从江南出发,在逐步南移的过程中发现了岭南,连通了戏曲江南——岭南的源与流。关于粤剧“琼花”称谓来历,其阐释史中囊括了神话原型、宗教信仰、行业会馆史、小说书写、跨地域文化溯源、艺术迁徙、文化位移、方志地理、风俗民情等多种元素,这些内容共同积淀、建构了岭南粤剧的文化遗产。论争“琼花会馆”归属的学者在“大胆假设”这个层面走得较远,而“小心求证”这方面则缺乏有力有据的戏曲文物与文献支撑,在“琼花会馆”史的或然性阐释上成果丰硕,在已然性方面还有进一步探索、求证的空间。This paper deduces the origin of Kunqu opera of Foshan Cantonese Opera Guild“Qionghua Guild”from the aspects of evolution of“flower”and“elegance”,the cultural displacement of“Qionghua”,the drama debate triggered by“Qionghua Guild”,and the Jiangnan remaining veil of“Qionghua Guild”.Qionghua,as the symbol of Kunqu opera culture,starts from the south of the Yangtze River and discovers the Lingnan in the process of southward migration,connecting the source and flow of the Jiangnan-Lingnan opera.As for the origin of the title“Qionghua”in Cantonese opera,its interpretation history includes many elements such as mythic archetypes,religious beliefs,history of industry halls,novel writing,cross-regional cultural origins,artistic migration,cultural displacement,local Chronicles and geography,and customs,etc.These contents have accumulated and constructed the cultural heritage of Lingnan Cantonese Opera.At present,scholars debating the attribution of“Qionghua Guild Hall”have gone far in the level of“bold hypothesis”,while the aspect of“careful verification”lacks the support of powerful and evidence-based opera relics and documents.They have made fruitful achievements in the interpretation of the probability of the history of“Qionghua Guild Hall”,and there is still room for further exploration and verification in the aspect of already.
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