冯梦龙改评明传奇的理论创新与独特的教化观念  

Feng Menglong's Theoretical Innovation and Unique Concept of Cultivation in His Revised Commentaries on Ming Long Poetic Dramas

作　　者：伊崇喆 杨绪容[1] Yi Chongzhe;Yang Xurong

机构地区：[1]上海大学文学院,上海200444

出　　处：《艺术探索》2023年第5期121-128,共8页Arts Exploration

基　　金：2018年度国家社科基金重大项目“明清戏曲评点整理与研究”(18ZDA252)。

摘　　要：冯梦龙的曲学理论涉及创作、结构、搬演等诸多方面问题,不乏颇有创新意义的见解,不仅对当时曲坛的创作和表演有着重要影响,也影响了之后的戏曲批评,如其结构论实为李渔所倡“结构第一”的前驱。在思想内容上,他深受明代“心学”影响而力主“性情”,热衷于通过创作与改评传奇表彰“忠孝节义”的教化作用,体现出较为特殊的教化观念。Feng Menglong's theory of opera involves many aspects such as creation,structure,and performance,all marked by innovative insight.Not only did his ideas exert important influence on the operatic creation and performance of his time,but they also influenced later operatic criticism.Feng's theory of structure,for instance,was the precursor of Li Yu's motto of"structure above all else".In terms of ideological content,Feng was deeply influenced by the Ming"Neo-Confucian Idealistic School",strongly advocated"temperament",and upheld the edifying concept of"loyalty,filial piety,integrity,and righteousness"through his own creations and his revised commentaries of Ming long poetic dramas,which do all embody a special concept of cultivation.

关 键 词：冯梦龙 评点 传奇改编 《墨憨斋定本传奇》 

分 类 号：I207.37[文学—中国文学]