对象性还是内向性?——《百年孤独》中的内向性生存  

Objectivity or Internality:the Internal Survival in One Hundred Years of Solitude

作　　者：严家强[1] YAN Jiaqiang(School of Marxism,Guangdong Mechanical and Electrical Vocational Technical College,Guangzhou 510515,China)

机构地区：[1]广东机电职业技术学院马克思主义学院,广东广州510515

出　　处：《宿州教育学院学报》2023年第5期83-88,共6页Journal of Suzhou Education Institute

基　　金：广东省哲学社会科学规划项目“道德情感的心性结构研究”(GD21YZX01)。

摘　　要：加西亚·马尔克斯在《百年孤独》中塑造了布恩迪亚家族,也通过布恩迪亚家族成员的宿命表达了自己对爱和孤独的理解。这种关于爱与孤独的表达,指向一种内向性的生存论。布恩迪亚家族成员身上所焕发出来的爱不是对象性的,因此而产生的孤独也不是对象性的。爱与孤独在主体身上经历了由外在转向内在的过程,最终演变成内向性的爱与孤独。经由内向性的转向,爱和孤独不为外物所流转,显得愈发珍贵。而内向性的爱和孤独更是表明:内向性,才是个体生存的本真状态。Garcia Marquez portrayed the Buendia family in One Hundred Years of Solitude,and also expressed his understanding of love and loneliness through the fatalism of Buendia family members.This expression of love and loneliness points to an introverted existentialism.The love emanating from the Buendia family is not objective,nor is the resulting loneliness.Love and loneliness in the subject experienced a process from external to internal,and finally evolved into internal love and loneliness.By turning inward,love and solitude are more precious than ever,without being transferred by external objects.The introversion of love and loneliness shows that the introversion is the true state of individual existence.

关 键 词：《百年孤独》 对象性 内向性 

分 类 号：I775.074[文学—其他各国文学]