后现代主义视域下《夏伯阳与虚空》的空间叙事研究  

A Study of the Spatial Narrative of CHAPAEV AND THE VOID in the Context of Postmodernism

作　　者：尹冰璇 YIN Bingxuan(Czech Research Center,Zhejiang Vocational College of Finance,Hangzhou 310018,China)

机构地区：[1]浙江金融职业学院捷克研究中心,浙江杭州310018

出　　处：《宿州教育学院学报》2023年第5期99-104,共6页Journal of Suzhou Education Institute

基　　金：浙江金融职业学院2023年度校级科研项目“中国—乌兹别克斯坦投资与营商环境研究”(2023ZX15)。

摘　　要：佩列文的作品充满神秘主义色彩、哲学性思辨与东方禅宗思想,叙事文本大量运用梦境、戏仿、拼贴等后现代主义文学的常用技巧。《夏伯阳与虚空》是佩列文的代表作之一,该作品以线索嵌套、并置等形式叙事,将“现实”与“虚幻”两个时空相互并置与穿插,以主人公彼得·虚空的梦作为两个时空的连接点,时间和空间呈现碎片化、混乱化与无序化。Viktor Pelevin is one of the most popular writers of the Russian postmodernist genre,whose uniqueness has been called the"Pelevin phenomenon".Pelevin's works are full of mysticism,philosophical discourse and Eastern Zen thought,and his narrative texts make extensive use of dreaming,parody,collage and other common techniques of postmodernist literature.One of Pelevin's masterpieces is Chapaev and the Void,which uses nested clues and juxtapositions to juxtapose and interpolate the"real"and"unreal"time and space,using the dream of the protagonist Peter Void as the connecting point between the two.Time and space are fragmented,confused and disordered.

关 键 词：后现代主义 空间叙事 现实 虚空 梦境 

分 类 号：I512.074[文学—其他各国文学]