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作 者:李传军 张娇 Li Chuanjun;Zhang Jiao(School of History,Qingdao University,Qingdao 266071,China)
出 处:《东方论坛(青岛大学学报)》2023年第6期61-72,共12页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基 金:国家社会科学基金后期资助项目“歌谣风议与汉唐社会”(18FZS038)的阶段性成果。
摘 要:妇女歌谣自《歌谣周刊》创刊之初便是歌谣搜集与研究的一大重要主题。这种现象的出现是歌谣与妇女所具有的内在天然联系和外部妇女解放运动的社会背景合力作用的结果。《歌谣周刊》作者们对妇女歌谣的研究一定程度上补充了研究底层乡村妇女命运的历史和社会材料的不足,有利于引起社会大众对于这一群体的关注。然而需要留意的是,《歌谣周刊》的作者们在分析妇女生活时侧重于揭露乡村妇女在家庭中的凄惨境遇,这种选择性的文本阐释忽略了对妇女能动性的认识。同时,由于《歌谣周刊》本身“学术”“文艺”的办刊目的,其能为妇女解放所起到的实质作用无疑也是十分有限的。更进一步来讲,透过《歌谣周刊》对妇女歌谣研究的逐渐丰富与深入,也可窥见20世纪初期中国现代早期民俗学逐步建立的过程。Women's ballads had been a major theme in the collection and study of ballads since the inception of Ballad Weekly.The emergence of this phenomenon was the result of the combination of the natural connection between ballads and women and the composite force of the external social context of the women's liberation movement.The study of women's ballads by the contributors of Ballad Weekly made up to a certain extent the lack of historical and social materials for the study of the fate of rural women,and helped to draw the attention of the general public to this group.It should be noted,however,that in analyzing women's lives,the contributors of Ballad Weekly focused on exposing the miserable situation of rural women in their families,and this selective interpretation of the texts failed to understand women's agency.At the same time,due to the"academic"and"literary"purposes of Ballad Weekly,its substantive contribution to women's emancipation was undoubtedly very limited.Furthermore,the gradual enrichment and deepening of the study of women's ballads in Ballad Weekly can also provide a glimpse of the gradual establishment of early modern Chinese folklore in the early twentieth century.
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