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机构地区:[1]苏州大学建筑学院
出 处:《建筑与文化》2023年第11期204-206,共3页Architecture & Culture
摘 要:现代建筑学被视为空间的艺术,鲜有论及时间维度。而在路易斯·康的一些言论中,时间的观念隐约其中,不仅可以辨读,而且在其理论中具有一贯性,成为进一步解读其设计作品的关键所在。文章通过分析指出,光的运用,只是康的作品表现力的一部分,而时间维度在空间中的体现,是其作品理解和解释中更深刻、更耐人寻味的审美线索。在此认识基础上,文章尝试总结出康的建筑作品中时间观念的表达策略和手段。Modern architecture is regarded as the art of space,rarely talking about the time dimension.In some of Louis.I.Kahn's remarks,the concept of time is vague,which can not only be read,but also has consistency in its theory,which becomes the key to further interpretation of his design works.Through analysis,the paper points out that the use of light is only a part of the expression of Kahn's works,and the embodiment of the time dimension in the space is a more profound and intriguing aesthetic clue in the understanding and interpretation of his works.On the basis of this understanding,the paper tries to summarize the expression strategies and means of the concept of time in Kahn's architectural works.
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