李淑芳小说《东方之终》的哥特叙事  

On the gothic narratives in The End of East by Jen Sookfong Lee

作　　者：李良博[1] LI Liangbo(College of Foreign Studies,South China Agricultural University,Guangzhou 510640,China)

机构地区：[1]华南农业大学

出　　处：《外文研究》2023年第4期51-57,104,共8页Foreign Studies

基　　金：教育部人文社会科学研究青年基金项目加拿大“华人汉英”双语作家作品研究(15YJC752017)。

摘　　要：哥特叙事与族裔话语共有的边缘性和他者性使当代哥特式成为族裔叙事的理想表现形式和叙事手段。透过哥特叙事的棱镜可为解读族裔文学打开新的视野空间与可能性。华裔加拿大作家李淑芳的长篇小说《东方之终》在哥特式场域里构筑起一个族裔化和性别化的哥特叙事文本,展现了华裔族群和个体在温哥华唐人街的移民生存经验与身份实现。通过揭示20世纪加拿大劳动力分层的族裔化和性别化实质,建构华裔身份的另一叙事并由此获取一种自致身份,小说为我们打开了一个独特的当代哥特式叙事空间和视野。The intersection of the Gothic and ethnic narratives emerges due to their mutual labeled nature of marginality and otherness.This kind of link is present in The End of East by Chinese Canadian author Jen Sookfong Lee.By creating a racialized and gendered Gothic narrative,this novel exhibits Chinese Canadians unique experiences in Vancouver Chinatown under the racialized-gendered Canadian political and social context during the twentieth century,and constructs an achieved citizenship with an alternate narrative of Chinese-Canadian identity.

关 键 词：李淑芳 东方之终 哥特叙事 族裔政治 性别政治 劳动力分层 自致身份 

分 类 号：I106[文学—世界文学]