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作 者:丁淑梅[1] Ding Shumei(college of Literature and Journalism,Sichuan University,Chengdu,Sichuan,610065)
机构地区:[1]四川大学文学与新闻学院,四川成都610065
出 处:《民族艺术研究》2023年第5期17-26,共10页Ethnic Art Studies
摘 要:1930年梅兰芳访美,京剧走出国门,引发“梅兰芳热”。作为中国戏曲与世界对话的一次文化之旅,其间许多事件受到空前关注并被讨论。在形成域内外“梅兰芳热”的文化链条上,还有一些细节问题需要深入考量。《梅兰芳歌曲谱》开创中西合译谱的新式记谱法,为打造梅派艺术唱腔、舞蹈和音乐境界多有襄助、为国乐与国剧走向世界奠定了重要基础。《梅兰芳歌曲谱》的创谱刊传、表演实践与传播策略,显示出彼时代文化巨匠和演剧学者站在中西文化对话的历史交汇点上不断审视旧剧命运、新剧改良与国剧开新的求索历程,开启了以京剧和昆曲为代表的中国传统戏曲面向未来、迈向现代戏曲的新路。In 1930,Mei Lanfang was invited to perform in the United States,which made Peking Opera went abroad and caused the“Mei Lanfang fever”.During this culturaldialogue between Chinese opera and the world,many eventsreceived unprecedented attention and discussion.There are still some details that need to be further considered in forming the cultural transmission chain of international“Mei Lanfang fever”.Before going abroad,Mei's performance repertoires had been elaborately compiled into an English version of Selections from the Repertoire of Operatic Songs and Terpsichorean Melodies of Mei Lan-fang,which created a new style of notation based on the integration of Chinese and Western translations,and greatly contributed to the shaping of Mei's singing,dancing and music.This laid an important foundation for the internationalization of Chinese traditional music and opera.At that time,the creation,publication,performance practice and communication strategy of Mei's repertoires,made by the cultural giants and theatrical scholars,showed improvement andcreation of traditional Chinese opera and retrospected on the fate of old operas,the reform of new operas,and the opening of new national opera in the historical interchange of Chinese and Western culture.Their efforts opened up a new path for traditional Chinese opera,which is represented by Peking Opera and Kunqu,to move towards future and modern opera.
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