“反传统”与“反-反传统”:熊佛西戏剧思想现代性之考察  

“Anti-tradition”and“Anti-anti-tradition”A Study of the Modernity of Xiong Foxi's Drama Thought

作　　者：李伟 赵瑞君[1,2] Li Wei;Zhao Ruijun

机构地区：[1]浙江传媒学院华策电影学院 [2]南京大学文学院

出　　处：《艺术传播研究》2023年第3期116-128,共13页Journal of Art Communication

摘　　要：熊佛西是著名的戏剧教育家、剧作家,见证并参与了中国现代戏剧的萌芽与发展。目前学界以微观视角聚焦于其“农民戏剧实验”的考察已较多,但从宏观视角出发整合熊佛西在理论建构、创作、实践中产生的诸多观念,并把握其内在逻辑也颇有必要。整体来看,熊佛西的戏剧活动处于中国戏剧现代化的浪潮之中,他对“戏剧现代性”的阐释是变化的、复杂的。他的戏剧思想集中体现着中国戏剧现代化过程所蕴含的一体两面,即“反传统”与“反-反传统”,前者意味着对传统戏剧形式及陈旧思想的反叛,后者则代表反叛之后的理性自省和对传统艺术的重新接纳。Xiong Foxi(1900—1965),a famous drama educator and playwright,witnessed and participated in the germination and development of modern Chinese drama.At present,the academic community has focused more on his“peasant drama experiment”from a micro perspective,but it is also necessary to integrate many concepts generated in Xiong Foxi's theoretical construction,creation and practice,and grasp their internal logic from a macro perspective.On the whole,Xiong Foxi's dramatic activities are in the wave of Chinese drama modernization,and his interpretation of“Dramatic Modernity”is changeable and complex.His dramatic thoughts embody the two aspects of the modernization process of Chinese drama,namely“anti-tradition”and“anti-anti-tradition”.The former represents a rebellion against traditional dramatic forms and outdated ideas,while the latter represents rational introspection and reacceptance of traditional art after the rebellion.

关 键 词：熊佛西戏剧思想 现代性 “反传统” “反-反传统” 

分 类 号：I207.3[文学—中国文学] J809.2[艺术—戏剧戏曲]