仇恨叙事与丁玲话剧作品中的情感政治  

Hatred Narrative and Emotional Politics in Ding Ling’s Dramas

作　　者：马海娟[1] 朱玮璐 MA Hai-juan;ZHU Wei-lu(School of Literature and Journalism,Yan’an University,Yan’an 716000,China)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《榆林学院学报》2023年第6期72-76,共5页Journal of Yulin University

摘　　要：《重逢》《河内一郎》和《窑工》是丁玲在延安时期创作的话剧作品。这三部作品将个人情感与国家兴亡连接,通过仇恨情感构建“敌—友”二元关系,确立理想中的革命共同体。仇恨这一激烈情感的产生、积累、转化与消解,构成了三部话剧共同的内在逻辑。作为一种情感动员的手段,仇恨叙事既有着深刻的在地性,又承载了话剧的政治功能。以“情感”为视角切入丁玲的戏剧创作,不仅有利于推进丁玲戏剧作品研究,还可窥见左翼文学传统与延安文艺融合创化的复杂历史进程。Reunion,Hanoi Ichiro and Kiln Worker are drama works created by Ding Ling during the Yan’an peri-od.These three works connect personal emotions with the rise and fall of the country,build a binary relationship of“friend and foe”through the emotion of“hatred”,and establish an ideal revolutionary community.The genera-tion,accumulation,transformation and dissolution of hatred,a fierce emotion,constitute the common internal logic of the three dramas.As a means of emotional mobilization,hatred narrative has both profound locality and carries the political function of drama.Cutting into Ding Ling’s theatrical creation from the perspective of“emotion”is not only conducive to promoting Ding Ling’s theatrical research,but also glimpses the complex historical process of the integration and creation of left-wing literary tradition and Yan’an literature and art.

关 键 词：丁玲 延安时期 话剧 仇恨叙事 情感政治 

分 类 号：I234[文学—中国文学]