东方既白——李可染、河山画会与“祖国河山”山水画的生成  

The Sun Rises:Li Keran,the Landscape Painting Society and "Motherland Rivers and Mountains" Landscape Paintings

作　　者：郝斌 Hao Bin(School of Arts,Chongqing University)

机构地区：[1]重庆大学艺术学院

出　　处：《美术》2023年第11期77-85,共9页Art Magazine

基　　金：2023年中央高校基本科研业务项目《艺术学范式转向与新态势研究》(项目编号:02060052020024)的阶段性研究成果;2022年度重庆市文联重点文艺创作扶持项目资助。

摘　　要：在20世纪80年代中西文化思潮激荡的背景下,李可染等老一辈国画家秉持坚定的中华文化立场,开创“祖国河山”山水画创作新路;深受李可染艺术思想影响并在其支持下,以张步、李宝林为代表的一批中青年画家乘势成立河山画会,致力“祖国河山”山水画创作30余年迄今不衰,已构成一个值得重视的艺术和文化课题。Despite an introduction of western cultural thoughts in China in the 1980s,Li Keran and other Chinese artists back then upheld a firm stance on Chinese culture and embarked on a new path in the creation of landscape paintings themed"Motherland Rivers and Mountains".Influenced by Li's artistic thoughts and supported by him,Zhang Bu,Li Baolin and other excellent young and middle-aged artists established the Landscape Painting Society,which has been dedicated to "Motherland Rivers and Mountains" landscape paintings for more than 30 years.Today,this has become an artistic and cultural issue worthy of attention.

关 键 词：李可染 河山画会 祖国河山山水画 新时期美术 

分 类 号：J212[艺术—美术]