汉歌的文体形态分析  

Analysis on the Stylistic Form of Songs in the Han Dynasty

作　　者：唐碧红[1] TANG Bihong(School of Chinese Language and Literature,Zhaoqing University,Zhaoqing,Guangdong 526061,China)

机构地区：[1]肇庆学院文学院,广东肇庆526061

出　　处：《肇庆学院学报》2023年第6期105-111,共7页Journal of Zhaoqing University

摘　　要：汉代的歌是独立的文体,在原初文献中有明确的“歌”字作为区别。汉歌仍然依附于本事,延续了先秦古歌叙事的特征,又因为文人多用歌体描写个体生活,增强了文人歌的抒情性。汉代歌由杂言向齐言发展,宫廷盛行楚歌,句式集中在三兮二、三兮三、四兮三三种类型,前者与西汉哀辞有关,后两者对七言的形成起关键作用。民间以四言、三言歌为主,三言七言相杂与四言七言相杂的歌反映了七言成熟的轨迹。汉代有少量五言、七言歌诞生,但不占主流。汉代的歌一般短句歌押偶句韵,长句歌句句押韵。歌一般一韵到底,两句一转韵的歌集中在楚歌中。The song of Han Dynasty is an independent style,with clear"song"character as a distinction in the original literature.The Han song is still dependent on the original things,continuing the narrative characteristics of the ancient songs of the pre-Qin Dynasty,from which the literati often describe their life in song style to enhance the lyricism.It developed from miscellaneous words to uniform words.The Chu Song was popular in the court,and the sentence patterns were concentrated in three types:combination of three phrases and two words,combination of three phrases and three words,combination of four phrases and three words.The former was related to the elegies of the Western Han Dynasty,and the latter two played a key role in the formation of seven-words poems.Folk songs are mainly composed of four words and three words,combination of three words and seven words with four words and seven words reflect the mature trajectory of seven words.In Han Dynasty,there were a few five-word songs and seven-word songs,but they did not occupy the mainstream.It usually rhymes with short sentences and long sentences.The song is generally a rhyme to the end,with two sentences a rhyme concentrated in the Chu song.

关 键 词：汉代 歌 文体形态 

分 类 号：I207.22[文学—中国文学]