新时代高校美育中关于中国油画色彩教育的研究  

A Study of the Color Education of China's Oil Paintings in the Aesthetic Education of Higher Education Institutions in the New Era

作　　者：李钊 LI Zhao

机构地区：[1]泰国格乐大学国际学院,泰国曼谷10220

出　　处：《济南大学学报（社会科学版）》2023年第6期160-167,178,共9页Journal of University of Jinan:Social Science Edition

摘　　要：油画媒介本是舶来品,在倡导文化自信的时代背景下,当代中国油画的色彩教育除了需要在掌握以往绘画经验的基础上对中国哲学思想影响下的传统绘画美学进行更为深入的思考,以现代科学的角度展开对绘画色彩运用的研究也尤为重要。对于绘画色彩而言,跨学科的研究相对较少,笔者以一份在课堂上进行的色彩调查测试为着手点,结合中国油画色彩教学的历史背景,对艺术教育的环境性功能和色彩绘画应用这两方面进行讨论,以求探讨关于中国油画色彩教育的新启示。油画是以色彩作为主要表现手段的,怎样建立具有东方品格的色彩研究体系是油画在本土化进程中不可避免的问题。笔墨当随时代,新时代高校色彩教育要求我们关注历史文化传承再研究的同时,还要产生新的问题意识。The use of oil painting as medium has its origins as an imported technique.However,in the current context of promoting cultural self-confidence,it is crucial for contemporary Chinese oil painting to delve further into traditional painting aesthetics while incorporating the influence of Chinese philosophy.Additionally,studying the application of color in painting from a modern scientific perspective is of paramount importance.Despite its significance,cross-disciplinary research on painting color remains relatively limited.This study takes a color survey and test conducted in a classroom setting as a starting point.It examines the historical background of oil painting color education in China and explores the environmental function of art education and the application of color in painting.The aim is to generate new insights into oil painting color education in China.Given that oil painting relies predominantly on color as its primary means of expression,it is imperative to establish a research system for color that incorporates Oriental characteristics in the process of localizing oil painting.Writings and paintings should reflect the spirit of the times,therefore color education in higher education institutions in the New Era should emphasize both researches on historical and cultural heritage and the generation of consciousness for new problems.

关 键 词：时代 传统 科学 色彩教育 问题意识 

分 类 号：G642[文化科学—高等教育学]