《诗龛图》与乾嘉时期的京师画坛  

Paintings of Shikan and the Art Circle in Bejing during Qianlong and Jiaqing Period

作　　者：许珂 Xu Ke

机构地区：[1]首都师范大学美术学院,北京100048

出　　处：《中国国家博物馆馆刊》2023年第10期108-125,共18页Journal of National Museum of China

摘　　要：乾嘉诗人法式善以自己的斋名与别号“诗龛”为题,向数十位画家和诗人征集了大量图像与题咏作品,一时之间“江湖名手皆为诗龛作图”。因参与人数多、持续时间长、跨越地域广,图咏诗龛成为了乾嘉时期重要的文化事件。现存数十幅《诗龛图》囊括当世众多画家,身份、籍贯、流派各异,作品内容、风格、笔墨、立意各有不同,为勾画乾嘉时期的画坛面貌,包括画家群体、风格格局提供了丰富的图像与文献样本。《诗龛图》不仅体现了京师士人法式善对于绘画史的记录、参与与影响,同时彰显了正统派绘画之外的地域性风格绘画的艺术价值,揭示了清中后期多种因素相互交流碰撞产生的绘画异变与新风。The poet Fashishan in the Qianlong and Jiaqing period collected lots of paintings and inscription works from dozens of painters and poets on the theme of"Shikan',which was his own alias.Due to the large number of participants,the long duration,and wide geographical coverage,Fashishan's collection activity became an important cultural event.Existing tens of Shikan paintings include many painters of the time,with different identities,native places,art schools,and painting styles.These paintings with different contents,ideas,and brushwork not only reflect literati Fashishan's records,participation,and influence in art history but also highlight the artistic value of regional art style paintings other than orthodox paintings,revealing the variations and new trends in art that resulted from mutual exchanges of various cultural factors in the middle and late Qing dynasty.

关 键 词：法式善 诗龛图 乾嘉时期 京师画坛 

分 类 号：J212[艺术—美术] K249.3[历史地理—历史学]