晚清民国刊印新技术与《三国演义》两类新印本  

Late Qing and Republican Periods Printing Technologies and Two Types of New Editions of The Romance of the Three Kingdoms

作　　者：许佳越 XU Jia-yue(School of Chinese Language and Literature,Lanzhou University,Lanzhou 730106,China)

机构地区：[1]兰州大学文学院,甘肃兰州730106

出　　处：《兰州文理学院学报（社会科学版）》2023年第6期47-53,共7页Journal of Lanzhou University of Arts and Science(Social Science Edition)

摘　　要：对于《三国演义》刊本的研究,主要集中于明清时代,而晚清民国《三国演义》刊印发行情况,尚无文章进行系统描述。晚清民国时代,既有从西方引进了新的印刷技术,又经历了新文化运动对于文学与语言之新观念的洗礼,此时《三国演义》的刊行中出现了两股风潮,一股是“增像”风潮,另一股则是“新式标点”风潮,这两类印本分别倾向于采用石印和铅印技术,形成了迥异的版本面貌,在内容上亦有诸多差异。Previous studies on the editions of The Romance of the Three Kingdoms have mostly focused on the Ming and Qing dynasties.However,there is a lack of systematic research on the publishing situation of The Romance of the Three Kingdoms during the late Qing and Republican periods.This period was characterized by the introduction of new printing technologies from the West and the influence of the New Culture Movement,which brought new concepts of literature and language.As a result,two trends emerged in the publication of The Romance of the Three Kingdoms:the“increased likeness”trend and the“new punctuation”trend.These two trends led to the use of lithographic and lead printing technologies respectively,resulting in vastly different versions in both appearance and content.

关 键 词：晚清民国 《三国演义》 石印 铅印 

分 类 号：I207.413[文学—中国文学]