空间·话语·认同:集锦式电影《我和我的家乡》的文化指向  

Space,Discourse,Identity:The Cultural Direction of a Collection of Films My People,My Homeland

作　　者：王怡飞 何佳仪 WANG Yi-fei;HE Jia-yi(School of Humanities,Shaanxi University of Technology,Hanzhong 723001,Shaanxi,China;School of Journalism and Communication,Northwest University,Xi’an 710000,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723001 [2]西北大学新闻与传播学院,陕西西安710000

出　　处：《兰州文理学院学报（社会科学版）》2023年第6期115-119,共5页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：2022年陕西省艺术科学规划项目“乡村振兴背景下陕西三农短视频传播生态与发展策略研究”(2022HZ1687)。

摘　　要：新时代背景下,我国电影事业不断焕发新的生机,观众的精神消费需求与审美趣味也随着时代的更迭而变化,电影市场呈现出多元化的发展态势。作为中国电影市场重要的组成部分,主旋律电影致力于将主流意识与观众审美更好的结合。《我和我的家乡》运用小品化的喜剧表达方式,展现大主题,塑造小人物,抒发乡土人事的情感,家国情怀借此流溢而出。In the context of the new era,China’s film industry continues to shine with new vitality,and the spiritual consumption needs and aesthetic tastes of the audience also change with the changing times.The film market presents a diversified development trend.As an important component of the Chinese film market,theme films are committed to better integrating mainstream consciousness with audience aesthetics.My People,My Homeland uses a skit style comedy expression to showcase the main theme,shape small characters,and express the emotions of local personnel,through which the national sentiment overflows.

关 键 词：主旋律电影 我和我的家乡 空间叙事 平民话语 集体记忆 

分 类 号：J905[艺术—电影电视艺术]