论梅娘小说知识女性形象的叙事艺术与女性意识  

On the Narrative Art and Female Consciousness of Knowledge Female Images in Mei Niang’s Novels

作　　者：王雪峰[1] WANG Xuefeng(College of International Cultural Exchange,Jilin Normal University,Siping,Jilin 136000,China)

机构地区：[1]吉林师范大学国际文化交流学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2023年第6期73-78,共6页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：吉林省哲学社会科学基金项目(2020B162)。

摘　　要：梅娘小说在叙事上多以女性视角和女性经验塑造女性形象,进而表达女性意识。通过对梅娘小说的细致分析可以看出,梅娘在塑造这些知识女性形象时,融入了自己的生命经验和女性意识,展示了女性作家细腻观察和深入思考为其文学创作带来的独特魅力与贡献。这些女性形象有着喷薄欲出的女性意识和生命状态,构成梅娘小说的强大内核。更难能可贵的是,梅娘通过叙事技巧的娴熟运用,尤其在叙事架构、叙事模式和叙事策略方面展现出非凡的叙事艺术,将生活在沦陷区的知识女性逐渐觉醒的女性意识及其生存状态充分展现出来,为现代文学史增添了一幅丰富多彩的女性图景。Mei Niang’s novels often portray female images and express female consciousness through female perspectives and experiences in their narratives.Through a detailed analysis of Mei Niang’s novels,it can be seen that she incorporated her own life experience and female consciousness into shaping these ed-ucated female images,showcasing the unique charm and contribution that female writers have brought to her literary creation through meticulous observation and in-depth thinking.The female images have a gush-ing female consciousness and life state,which constitute the powerful core of Mei Niang’s novels.Even more commendable is that Mei Niang demonstrated extraordinary narrative art through her skillful use of narrative techniques,especially in terms of narrative structure,narrative mode,and narrative strategy.She fully demonstrated the awakening of female consciousness and survival status of knowledge women living in occupied areas,adding a rich and colorful female landscape to the history of modern literature.

关 键 词：梅娘 叙事艺术 女性形象 女性意识 

分 类 号：I207.6[文学—中国文学]