近代南京的景观营造与城市文化现代转型  

Townscape Planning and Building in Modern Nanjing and Transformation of Urban Culture

作　　者：胡箫白[1] HU Xiao-bai

机构地区：[1]南京大学中华民国史研究中心,江苏省南京市210023

出　　处：《南京大学学报（哲学．人文科学．社会科学）》2023年第5期108-117,159,共11页Journal of Nanjing University(Philosophy,Humanities and Social Sciences)

基　　金：江苏省社会科学基金文脉专项一般项目(21WMB024);南京市文旅局委托研究项目。

摘　　要：近代南京的景观文化展现出三种新颖面向:首先,在城市建设加速推进的背景下,城市的游冶空间发生挪移,以秦淮河为代表的传统景观不再为游人所追捧,玄武湖等新兴景观则脱颖而出,成为民众喜爱的公共空间。其次,因为近代南京的国都属性,意识形态力量介入景观营造,金陵胜景的文化意涵愈加繁复,成为民族主义的象征符号。再次,因应于摩登交通手段的采用,金陵胜景的品赏方式从“搜奇揽胜”转变为“走马观花”,城市旅游的节奏和节点呈现出“程式化”的特征,时人亦得以在比较框架下深化对南京城市特质的认知。To examine visitors'resorts of Nanjing City in the modern times is a key to understanding the modernization of Nanjing urban culture.The townscape culture of modern Nanjing makes clear three novel aspects:Firstly,there were changes in the city's places of interest with the acceleration of urban construction,and traditional sites such as the Qinhuai River was no longer favored by visitors,while new ones,like the Xuanwu Lake,became a particular public site favored by tourists;Secondly,being the Capital of the Republic of China before 1949,Nanjing's townscape culture was made much profound by political power and ideology,turning many scenery sites into symbols of nationalism;And thirdly,with the introduction of modern means of transportation,the way to appreciate Nanjing scenic spots changed from cultural activities to routinized sightseeing,and yet people could also deepen their understanding of Nanjing urban culture in a comparative framework.

关 键 词：城市文化 市政规划 景观营造 游冶空间 金陵胜景 

分 类 号：TU984.1[建筑科学—城市规划与设计]