清代太平有象宫灯彩画玻璃研究  

Research on Stained Glass on Taiping Youxiang Palace Lanterns of Qing Dynasty

作　　者：巩天舒 孔艳菊[1] 王允丽[1] Gong Tianshu;Kong Yanju;Wang Yunli(The Palace Museum,Beijing,100009)

机构地区：[1]故宫博物院,北京100009

出　　处：《博物院》2023年第4期117-127,共11页Museum

基　　金：故宫博物院“英才计划”;北京故宫文物保护基金会学术故宫万科公益基金会专项经费资助。

摘　　要：故宫博物院藏掐丝珐琅太平有象宫灯为清代宫廷用具,在对其修复过程中,需将脱落的彩画玻璃进行回装。结合现代科学仪器检测的玻璃基质和彩画颜料成分,尝试对两件太平有象宫灯的彩画玻璃进行分组归类,辨析原有装嵌组合的潜在问题,找寻一套更为合理的回装方案。彩画玻璃易损坏,太平有象灯这类装嵌彩画玻璃的宫廷用具,在使用中常会有替换并循环利用的情况,但清宫造办处档案中对此过程并未有具体详实记载,因此易导致对其艺术理解、价值认知的错误;从而使修复产生混乱。本文采用美术学理论和仪器分析相结合的论证方法,试图探析彩画玻璃的工艺发展样貌,为后续同类文物复原研究提供借鉴。During the restoration of the cloisonne Taiping Youxiang palace lanterns from the Palace Museum,which were royal implements of the Qing Dynasty,the dislodged stained glass need to be reinstalled back to the relics.This article tries to revisit the grouping of the stained glass,and identify potential problems with the original assemblage.Meanwhile,this article analyses the image content and style from a painting perspective,combining with the composition of the glass matrix and painted pigments tested by modern scientific instruments,in order to find out a more reasonable solution for the reinstallation.The stained glass assembled on the royal implements such as Taiping Youxiang palace lantern is easily damaged,so it is often replaced and recycled in use.However there is no specific and detailed record of this in the archives of the Archive of the Qing Imperial Workshop.As a result,it is easy to lead to the error of artistic understanding and value cognition,which leads to the confusion of restoration.The analysis adopts the method of combinlng art theory and instrument analysis,trying to serve as a reference for further research on similar relics and provide detailed examples for the study of Qing Dynasty palace glassware.

关 键 词：清代太平有象宫灯 彩画玻璃 图像分析 成分检测 玻璃质文物保护 

分 类 号：K249[历史地理—历史学] K876.5[历史地理—中国史]