跨文化戏剧中的中国古典戏曲元素呈现——以《高加索灰阑记》为例  

Presentation of Traditional Chinese Operas Elements in Intercultural Theatre-Case Study of The Caucasian Chalk Circle

作　　者：吴楠 吕世生 WU Nan;LÜShisheng

机构地区：[1]南开大学外国语学院,天津300380 [2]北京语言大学高翻学院

出　　处：《浙江艺术职业学院学报》2023年第3期40-46,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：在《高加索灰阑记》中,中国古典戏曲元素在文学创作和舞台表演等方面被吸收和借鉴。中国古典戏曲元素在跨文化戏剧中的呈现促进了布莱希特的戏剧改革,推动了世界戏剧艺术新形态的发展,同时亦成为中国戏曲“走出去”的新形式。Taking The Caucasian Chalk Circle written by the dramatist Bertolt Brecht as the research object,this paper discusses the presentation and meaning of traditional Chinese operas elements in the intercultural theatre.In this drama,the elements of traditional Chinese opera are absorbed and borrowed in the aspects of literary creation,onstage performance and etc.The appearance of traditional Chinese operas elements in the intercultural theatre promoted Brechts theatre revolution and advanced the development of the new form of the worlds dramatic art.Meanwhile,it has become the new pattern of traditional Chinese opera going out.

关 键 词：跨文化戏剧 布莱希特 《高加索灰阑记》 中国戏曲“走出去” 

分 类 号：J834[艺术—戏剧戏曲]