曲话文体源流新探  

A New Investigation into the Origin and Development of Quhua

作　　者：孟昕 MENG Xin

机构地区：[1]华东师范大学中国语言文学系

出　　处：《戏剧艺术》2023年第5期135-148,共14页Theatre Arts

基　　金：国家社会科学基金重大项目“杂剧古今演变史及历代杂剧文献汇释”(19ZDA259)的阶段性成果。

摘　　要：自明嘉隆年间开始,由诗话派生的曲话文体在“论辞论事”的诗话体例基础上,逐步探索着更加符合戏曲自身特性的批评方法,并最终在20世纪初蜕变为兼具历史考据、批评议论、记事杂录功能,对戏曲之文词音律、题材命意、结构排场、唱做功法、经营体制等进行全面探究的综合性、笔记式文艺批评文体。20世纪上半叶,曲话又呈现出鲜明的舞台化、学术化转型趋向。相较于其他文体,曲话具有显著的诗性批评特色与“中介性”文本特质,在戏曲史料存录、作品鉴评、剧史考索与理论建构方面均发挥着重要作用。Since the Jialong period of the Ming dynasty,the genre of Quhua,derived from Shihua(poetry studies),has gradually found a critical approach that is more in line with the characteristics of Xiqu.In the early twentieth century,the genre was transformed into a comprehensive,note-taking style of literary criticism that combined historical research,critical discourse,and miscellany,and comprehensively explored Xiqu in aspects such as the rhythm of words,the meaning of the subject matter,the structure and dramaturgy,the techniques of singing and acting,and the management system.During the first half of the twentieth century,Quhua showed a clear tendency to transform itself into a theatrical and academic genre.Compared with other literary genres,Quhua has a significant characteristic of poetic criticism and mediating textual quality,and plays an important role in historical documentation,appreciation and evaluation of drama,and in the theoretical construction of Xiqu history.

关 键 词：曲话 文体源流 话体批评 古今演变 

分 类 号：J80[艺术—戏剧戏曲]