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作 者:杨乐 YANG Le
机构地区:[1]中央戏剧学院戏剧艺术研究所
出 处:《戏剧艺术》2023年第5期160-170,共11页Theatre Arts
基 金:中央戏剧学院重大项目“中国演剧体系研究”(YNZDA2301)的阶段性成果。
摘 要:话剧《暴风骤雨》是20世纪50年代一部苏联专家和中国演员用中国材料(小说)演给中国人看的中国戏。库里涅夫在中国传统与现实的基础上,通过《暴风骤雨》创造了“最新最美”的“中国形象”,这意味着创建我们民族自己的演剧体系的过程中,不仅有中国戏剧工作者的艰辛探索,也有苏联戏剧专家的深度参与。库里涅夫留下的实践经验与理论探索不仅可以推进中苏戏剧交流史的研究,还能应用于今天的表导演教学,对戏剧工作者正确认识斯坦尼体系、对戏剧界继承传统与开拓创新有着积极作用。The Storm is a Chinese drama created by Soviet experts and Chinese actors with Chinese materials(novels) for the Chinese people. On the basis of Chinese tradition and reality, Kurinev created the “newest and most beautiful” “image of China” through The Storm, which means that the Chinese national theatre system was established not only through the arduous exploration of Ouyang Yuqian, Tian Han, Jiao Juyin and other Chinese theatre workers, but also the participation of Soviet drama experts. The practical experience and theoretical exploration left by Kurinev can not only promote the research on the history of Sino-Soviet drama exchange, but can also be applied to today's directing and acting training;Kurinev's experience can help Chinese theatre workers to further understand the Stanislavski system, to better inherit the tradition, and to innovate the theatre industry.
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