且听梵音——藏传佛教觉囊派金刚鬘羌姆考释  

Listening to Buddhism Chant:Textual Research on the Rdo rje phreng ba's cham of the Tibetan Buddhism Jo-nang-pa

作　　者：杨屹 Yang Yi

机构地区：[1]内蒙古民族大学音乐学院

出　　处：《中国音乐》2023年第6期61-68,78,共9页Chinese Music

基　　金：2020年度国家社科基金重大项目“蒙古〈格斯尔〉版本综合研究”(项目编号:20&ZD278)的阶段成果。

摘　　要：觉囊派崇“他空见如来藏”显宗见地,奉“时轮金刚六支瑜伽”密宗圭臬,独树于藏传佛教诸教派之林。本文研究对象为觉囊派金刚鬘羌姆,研究内容牵涉咒(咒语■)、谱(羌姆移■)、乐(曲调■),如历时文本层面“咒—咒”关系、“咒—谱”关系,共时表演层面“谱—乐”关系,这些面貌上的动态变化,则又或直接或间接反映出其传承背后的隐匿逻辑。Jo-nang-pa open school's"Other-Emptiness Buddha-Matrix"thought,"The Six Vajra-Yogas of Kalacakra"tantrism practice,standing tall among the different sects of Tibetan Buddhism.The research object of this thesis is rdo rje phreng ba's'cham of Jo-nang-pa,the research content includes three dimensions of incantation(dmod tshig)、scores('chamyig)、chant(dbyangs).Under comprehensive limits,there are different ways to arrange the three-dimensional degree groups.Such as incantation-incantation relations and incantation-scores relations at diachronic text level,scoreschant relations at synchronic performance level.These dynamic changes in appearance either directly,or indirectly reflect the hidden logic behind their inheritance.

关 键 词：觉囊派 金刚鬘羌姆 羌姆移 

分 类 号：J607[艺术—音乐]