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作 者:薛忠[1] 曹国梁[1] Xue Zhong;Cao Guoliang
机构地区:[1]兰州城市学院音乐学院
出 处:《中国音乐》2023年第6期116-126,共11页Chinese Music
摘 要:《演繁露》是南宋程大昌的笔记体著作,其中涉及乐器史料三十余条,各类传统乐器二十余件,弦鸣乐器种类最多,多次出现琴、瑟、筝、筑、箜篌、琵琶、阮等,气鸣乐器有笛、角、笳、拱宸管等。经考证其乐器史料具有形式多样、时代跨度大、史料密集且一个条目涉及多处史料等特征。从史料的梳理情况分析,《演繁露》并没有对乐器进行创新性的研究,更多的是对前朝乐器史料的归纳与整理,并将其运用到著作中。通过对乐器史料的梳理,能够有效探索《演繁露》在中国音乐史学研究中的学术价值,为中国古代民族乐器的发展提供研究史料,丰富中国古代音乐史的理论研究。"Yan Fan Lu"is a notebook-style work by Cheng Dachang of the Southern Song Dynasty,which contains historical data on musical instruments in over thirty entries,covering more than twenty types of traditional instruments.Stringed instruments appear most frequently,with several mentions of instruments such as the qin,se,zheng,zhu,konghou,pipa,and ruan,while wind instruments include the di,jiao,jia,and gongchen pipe.Through verification,the historical data on musical instruments in the book is characterized by its diverse forms,wide temporal span,concentrated historical records,and multiple historical details within a single entry.An analysis of the data compilation reveals that"Yan Fan Lu"did not introduce innovative research on musical instruments,but rather synthesized and organized historical materials from previous dynasties.By combing through the historical data on musical instruments,we can effectively explore the academic value of"Yan Fan Lu"in the research of Chinese music history,providing historical materials for the development of ancient Chinese national musical instruments and enriching the theoretical research of ancient Chinese music history.
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