论小提琴协奏曲《梁祝》艺术魅力的内在成因  

On the Artistic Charm of the Violin Concerto Liang Zhu (Butterfly Lovers)

作　　者：傅利民 FU Limin(School of Music,Jiangxi Science and Technology Nomal University,Nanchang,Jiangxi 330038,China)

机构地区：[1]江西科技师范大学音乐学院,江西南昌330038

出　　处：《贵州大学学报（艺术版）》2023年第6期1-8,F0002,共9页Journal of Guizhou University Art Edition

基　　金：2022年度国家社科基金艺术学重大项目“中国乐学理论体系研究”(项目编号:22ZD12)。

摘　　要：小提琴协奏曲《梁祝》使用了中国民间常用的旋律发展手法,既展现了中国器乐的技法特性,又显现了中国传统音乐中五声音阶上下级进的动态美。《梁祝》采用了戏曲音乐中曲牌体的结构原则加板腔体的结构变化形式,使其不仅具有了传统音乐的配器特色,又突出了小提琴之独特的声部色彩。《梁祝》在演奏中以小提琴模仿中国传统乐器的技法和旋律,使西洋乐器民族化,表现了中国的文化特色和民族精神,同时,润腔技法的使用,在音乐上体现了汉语言独特的曲线性特征和审美个性。With the employment of the commonly used melodic development techniques,the violin concerto Liang Zhu(Butterfly Lovers)showcases both the technical characteristics of Chinese instrumental music and the dynamic beauty of the pentatonic scale in traditional Chinese music.Liang Zhu adopts the structural principle of Qu-pai-ti(fixed tunes)in traditional Chinese opera music and the structural variation of the Ban-qiang-ti(structural pattern),which not only embodies the orchestration characteristics of traditional Chinese music,but also highlights the unique vocal feature of the violin.In the performance of Liang Zhu,the violin imitates the techniques and melodies of traditional Chinese instruments,sinicizing Western instruments and showcasing Chinese cultural characteristics and national spirit.Meanwhile,the employment of the Run-qiang(refining singing)skills reflects the distinct curved characteristics and aesthetic uniqueness of the Chinese representation in music.

关 键 词：《梁祝》 中国乐学 旋法 体式结构 

分 类 号：J622.1[艺术—音乐]