吉林大学考古与艺术博物馆藏《清明上河图》考释  

Textual Criticisms and Explanations of Up the River During Qingming in the Collection ofthe Jilin University Museum of Archaeology and Art

作　　者：唐淼[1,2] 陈国京 TANG Miao;CHEN Guo-jing

机构地区：[1]吉林大学考古与艺术博物馆 [2]吉林大学考古学院,长春130012

出　　处：《吉林大学社会科学学报》2023年第6期217-229,236,共14页Jilin University Journal Social Sciences Edition

摘　　要：《清明上河图》自北宋之后,历代皆有临仿,明中期以来尤甚。《清明上河图》“可能以千万数”,足见图本数量之庞大。吉林大学考古与艺术博物馆藏《清明上河图》为托名张择端、近仇英风格的作品,此前从未公开发表。该图本对于明清以来《清明上河图》的临仿行为、书画流通等研究具有重要的史料价值,对于苏州片的面貌、价值、影响等问题的研究亦具有重要意义。After Up the River During Qingming was painted in the Northern Song Dynasty,this painting had been imitated in the Song,Yuan,Ming and Qing dynasties,especially since the middle of the Ming Dynasty.Up the River During Qingming“may be tens of millions”shows the huge number of drawings.The particular copy of Up the River During Qingming in the collection of the Jilin University Museum of Archaeology and Art is a work which looks like Qiu Ying’s painting style and has Zhang Zeduan’s signature.This painting has never been published before.This painting has important historical value for the study of the painting imitative behavior and the circulation of painting about Up the River During Qingming since the Ming and Qing Dynasties,and has certain research significance for the image,value,influence and other specific issues about Suzhou Imitation.

关 键 词：吉林大学考古与艺术博物馆 苏州片 《清明上河图》 

分 类 号：J212[艺术—美术]