晚明内售与外销青花瓷纹饰造型特征差异性探赜——以漳州窑口为视角  

The Differences in the Styling Traits of Blue and White Porcelain Decorations between Domestic Sales and Foreign Sales in the Late Ming Dynasty——From the Perspective of Zhangzhou Kiln

作　　者：朱三益 ZHU Sanyi

机构地区：[1]闽南师范大学艺术学院,福建漳州363000

出　　处：《闽南师范大学学报（哲学社会科学版）》2023年第3期41-46,共6页Journal of Minnan Normal University:Philosophy and Social Sciences

摘　　要：晚明漳州内售与外销青花瓷纹饰艺术风格有着较大差异,通过文献梳理与田野考察,发现内售青花纹饰因受晚明闽南社会文化变迁而趋于野逸,而外销青花纹饰因市场需求而骤变成风格繁丽的审美差异性存在。通过这二者的差异的比较可探究晚明漳州青花瓷纹饰艺术的多元性。There are great differences in the artistic styles of blue and white porcelain decorative patterns between domestic sales and foreign sales in Zhangzhou during the late Ming Dynasty.It is found,by literature review and field surveys,that blue and white decorative patterns for domestic saletended to be wild and elegant due to the social and cultural changes in southern Fujian in the late Ming Dynasty,while those forforeign trade suddenly became flowery due to themarket demand.The differences may help explore the diversity of Zhangzhou blue and white porcelain decorative art in the late Ming Dynasty.

关 键 词：晚明 纹饰 青花瓷 漳州窑 地域文化 

分 类 号：TQ174.74[化学工程—陶瓷工业]