论张恨水小说电影化“梦”的特质  

On the Traits of Cinematizing“Dreams”in Zhang Henshui’s Novels

作　　者：李婕 LI Jie

机构地区：[1]湖南师范大学文学院,湖南长沙410006

出　　处：《闽南师范大学学报（哲学社会科学版）》2023年第3期79-85,共7页Journal of Minnan Normal University:Philosophy and Social Sciences

基　　金：2022年湖南省教育厅科学研究青年项目(22B0085)。

摘　　要：张恨水把电影构建梦境的方式融进小说的创作中,使小说具有电影化的“梦”的特质。其小说电影化“梦”的特质主要表现在三方面:一是通过梦的方式批判社会现实,二是为小说提供了一个如梦似幻的背景,三是营造梦境化的氛围。张恨水小说部分细节与电影“淡入”“淡出”效果、“梦”具有相似的发生机制,光线、声音、意识流是实现小说中梦境与现实之间“淡入”“淡出”的重要媒介。融入张恨水小说的电影元素,不仅丰富了小说的内容,而且提升了小说的艺术表现力。Zhang Henshui integrated the way movies construct dreams into his novel creation,giving his novels the traits of cinematic dreams,which are mainly manifested in three aspects:firstly,criticizing social reality through dreams;secondly,providing a dreamy background for the novels;thirdly,creating a dreamlike atmosphere.Some details of his novels have similar mechanisms of“fading in”and“fading out”effects and“dreams”in movies.Light,sound,and streamconsciousness are important media for achieving“fading in”and“fading out”effectsbetween dreams and reality in the novels.The film elementsintegrated into his novels enrich the contentsand enhance the artistic expressionsof the novel.

关 键 词：张恨水 小说电影化 梦 淡入 淡出 

分 类 号：I246[文学—中国文学]