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作 者:张辉刚[1] 杜婷婷 Zhang Huigang;Du Tingting(School of Journalism and Communication,Northwest Minzu University,Lanzhou,Gansu 730030)
机构地区:[1]西北民族大学新闻传播学院,甘肃兰州730030
出 处:《西藏大学学报(社会科学版)》2023年第3期124-132,共9页Journal of Tibet University
基 金:2020年度国家社会科学基金项目“祁连山区各民族口传文学传承保护机制创新研究”阶段性成果,项目号:20XMZ042。
摘 要:新时代以来,历经“树立”到“铸牢”的成功演化,中华民族共同体意识已成为各民族交往交流交融的重要思想路线和行动指南,尤其是中华文化认同、文化自觉与文化自信的过程性建构和自觉式提升成效显著。而作为中华文化的重要组成部分,集西部自然地理、人文风情和精神气韵于一体的中国西部电影,却在新时代被动陷入本位塑型与他位阐释的认同焦虑困境,如何打破传统认知、创作壁垒、文化限定等既有束缚,在文化认同进程中运用中华民族共同体意识拓展创作空间,并借由视听手段讲好中国故事、坚守文化立场、传递时代强音,积极探索大众接受、市场认可、民族认同的可持续发展路径,是当前西部电影亟需履行与完成的历史使命与时代重任。After a successful transition from establishment to consolidation,the sense of the Chinese nation as one community has become an important ideological line and action guide for the interaction,communication,and in⁃tegration of all nationalities,particularly in the process of Chinese cultural identity,cultural self-consciousness,and cultural self-confidence.In terms of developing and consciously improving Chinese culture,the process of Chinese cultural identity,cultural self-awareness,and cultural self-confidence has produced extraordinary out⁃comes.As an essential aspect of Chinese culture,Western Chinese film,which incorporates the natural geogra⁃phy,humanistic flavor,and spiritual beauty of the West,is passively caught in the dilemma of identity anxiety in the new era between local shaping and other interpretations.How to break free from traditional cognition,cre⁃ative barriers,cultural limitations,and other existing constraints,to expand the creative space in the process of cultural identity using the sense of Chinese national community,and to tell a good story of China through audiovisual means,to adhere to the cultural stance,to convey the strong voice of the times,and to actively explore a sustainable development path of public acceptance,market recognition,and national identity is the historical mission and the heavy responsibility of the times that western films need to fulfill and accomplish.
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