“新散文”视野下江子散文创作中的人文关怀书写  

Humanistic Care Writing in JIANG Zi’s Prose Creation From Perspective of “New Prose”

作　　者：刘旭东[1] 赖慧玲 LIU Xu-dong;LAI Hui-ling(College of Literature and Journalism,Yichun University,Yichun 336000,China)

机构地区：[1]宜春学院文学与新闻传播学院,江西宜春336000

出　　处：《宜春学院学报》2023年第10期63-68,共6页Journal of Yichun University

基　　金：2022年江西文化艺术科学规划一般项目“民间公益图书馆助推乡村文化振兴的研究与实践”(项目编号:YG2022088)。

摘　　要：著名散文家江子近年来创作的《青花帝国》《去林芝看桃花》《回乡记》等散文集引起很大反响,尤其是其中的人文关怀书写值得关注。江子散文中人文关怀的书写主要有三个层面:在自然风物中贴近旷野,在历史中楔入生命的密码,以及在现实的撕扯下寻找平衡。但不同于上世纪90年代散文的人文精神的表达方式,江子融合“新散文”特质,呈现出对传统散文文体的突破、虚构与非虚构的交融、符号化的个性表达等独特之处。究其动因,在于江子以“出走”的方式因循文学与旷野的关系,最终“回归”至文人的悲悯与责任。In recent years,the famous essayist Jiang Zi has created essay collections such as Blue and White Empire,Going to Nyingchi to See Peach Blossoms and Homecoming that have aroused great repercussions,especially the humanistic care writing in them is worth paying attention to.The writing of humanistic care in Jiang Zi's prose has three main levels:close to the wilderness in the natural scenery,wedged into the code of life in history,and finding balance under the tearing of reality.However,different from the expression of the humanism spirit of prose in the 90s of the last century,Jiang Zi integrates the characteristics of“new prose”,presenting unique features such as breakthroughs in traditional prose styles,the fusion of fiction and non-fiction,and personality expression of symbolization.The motive is that Jiang Zi followed the relationship between literature and the wilderness in the way of“leaving”,and finally“returned”to the compassion and responsibility of the literati.

关 键 词：江子 新散文 人文关怀 

分 类 号：I206[文学—中国文学]