历史学视域下设计学的跨边界研究  

Cross Boundary Study of Design from the Perspective of History

作　　者：徐志华 

机构地区：[1]景德镇陶瓷大学设计艺术学院

出　　处：《创意与设计》2023年第5期5-10,共6页Creation and Design

基　　金：国家社科基金艺术学一般项目(22BG141)。

摘　　要：中国的政治、经济、科技和文化进入稳定发展阶段,习近平总书记提出实现中华民族伟大复兴,走进新时代发展具有重要意义。随着“大数据”和“人工智能”逐步地出现在人民生活中,高端设计已经成为一种趋势。随之,设计与科技结合的学科、专业、课程、作品展、工作坊、研讨会等开始成为高校的一种潮流和主流,理工院校和科研机构也开始重视人文和设计对科技的促进与提升作用。随着设计在不同领域扩展,现代设计的“跨边界”成为了主要的发展趋势,设计与科学的分界线变得模糊。本文针对以上现象对当下设计学跨边界交叉研究进行了探讨,分析历史学与设计学之间的跨界性,以及设计学跨界的意义。China's politics,economy,science,technology and culture have entered a stage of stable development,and it is of great significance to enter a new era of development.With the gradual emergence of"big data"and"artificial intelligence"in people's lives,high-end design has become a trend.Disciplines,majors,courses,exhibitions,workshops and seminars combining design and technology have become a mainstream in colleges and universities.Polytechnic colleges and research institutions have also begun to attach increasing importance to the promotion and enhancement of humanities and design in technology.With the expansion of design in different fields,the"cross boundary"of modern design has become the main development trend,and the boundary between design and science has become blurred.This paper explores the current cross boundary research of design studies in response to the above phenomena,analyzes the cross-border nature between history and design studies,and the significance of cross boundary design studies.

关 键 词：设计学 科学 历史学 跨边界 

分 类 号：J50-4[艺术—艺术设计]