关于中国当代设计史研究与写作的反思  

Reflection on the Research and Writing of Contemporary Chinese Design History

作　　者：陶海鹰[1] 

机构地区：[1]北京印刷学院设计艺术学院

出　　处：《创意与设计》2023年第5期23-28,共6页Creation and Design

基　　金：国家社科基金艺术学重大项目(23ZD14)。

摘　　要：相较于社会史、艺术史、文学史等其他史学门类的研究,设计史的研究尚显浅薄,如何有效构建中国当代设计史的叙事模式,需尽可能兼顾“全景、系统”和“微观、述评”的研究方法。一方面,研究者要尝试从不同的角度去呈现当代中国设计发展历程中的节点与片断,去阐释每个设计事件、设计项目、设计师背后所闪现的社会意义与历史价值,求将设计不局限于一种狭义的“专业”,希望从“大设计”的观点切入,呈现中国当代设计发展的历史缩影;另一方面,要开启设计史书写多种叙事杂糅的全新模式,其一是线性叙事的思维,其二是以专题设计批评的方式散点式切入;最后,设计史的研究既是物质文化史的研究,又是思想观念史的研究。也正因为设计的概念是广博而不断被定义、延展的,对设计史的研究才充满了探索的乐趣。Compared to other historical categories such as social history,art history,and literary history,the study of design history is still relatively shallow.How to effectively construct a narrative model for the history of contemporary Chinese design needs to balance the research methods of"panoramic,systematic"and"micro,commentary"as much as possible.On the one hand,researchers need to attempt to present the nodes and fragments in the development process of contemporary Chinese design from different perspectives,to explain the social significance and historical value that flash behind each design event,design project,and designer,in order to limit design to a narrow sense of"profession",and to present a historical microcosm of the development of contemporary Chinese design from the perspective of"big design".On the other hand,it is necessary to open up a new mode of writing design history that combines multiple narratives.One is the linear narrative thinking,and the other is the scattered entry through thematic design criticism.Finally,the study of design history is not only a study of material and cultural history,but also a study of ideological and conceptual history.It is precisely because the concept of design is broad and constantly defined and extended that the study of design history is filled with the joy of exploration.

关 键 词：中国设计史 当代 反思 叙事模式 

分 类 号：J509.2[艺术—艺术设计]