斯基泰文化影响下的晋系青铜器羽翼纹设计思想探析  

Analysis on Wing Design thought of Jin Bronze Ware under the Influence of Scythian Culture

作　　者：范伟 张俊燕 

机构地区：[1]太原理工大学艺术学院

出　　处：《创意与设计》2023年第5期68-74,共7页Creation and Design

基　　金：山西省哲学社会科学规划课题项目(2021YJ137)。

摘　　要：春秋战国时期的晋系青铜器上出现了一些极其写实的羽翼纹,该纹样与华夏传统造型艺术大异其趣,且罕见于晋之外的列国。该纹样的形成是在宗周文化影响的基础上借鉴斯基泰文化中的羽翼元素和造型艺术的结果,其纹样经历了由简入繁,平面到立体的衍变,最终实现本土化。从现存晋系青铜器来看,该纹样具有显著的地域性以及时间性。故围绕这一现象,笔者在阐述晋文化与斯基泰文化关联的大背景下,以个案研究的方法分析斯基泰文化影响下的写实羽翼纹衍变的特征,进而探讨影响其衍变的文化、社会思想、材料工艺3个因素,以总结传统设计思想,启迪当代设计。There are some extremely realistic wing patterns on Jin bronzes in the Spring and Autumn Period,which are very different from the traditional plastic arts of China and rare in other countries except Jin.The formation of these patterns is the result of learning wing elements and plastic arts in Scythian culture on the basis of the influence of the Zongzhou culture,and it has experienced the evolution from simple to complex,plane to three-dimensional,and finally gradually localized.From the existing Jin style bronzes,this pattern has significant regional and temporal characteristics.Therefore,based on this phenomenon,this paper first discusses the relation between Jin culture and Scythian culture,and then analyzes the characteristics of realistic wing pattern evolution under the influence of Scythian culture by means of case study.It explores the influence on wing pattern design from three aspects:cultural factors,social thoughts and material technology,summarizes traditional design thoughts and enlightens contemporary design.

关 键 词：羽翼纹 晋系青铜器 斯基泰 纹饰 设计思想 

分 类 号：K876.41[历史地理—考古学及博物馆学] J526.1[历史地理—历史学] G125[艺术—艺术设计]